June 2023

LABBS Quartet Prelims 2023

Arriving for coaching on Sunday: LABBS media team capture the Reservoir Dogs moment...Arriving for coaching on Sunday: LABBS media team capture the Reservoir Dogs moment...

This past weekend saw The Ladies Association of British Barbershop Singers hold its quartet prelims weekend. As in its now standard model, there was the contest on Saturday, with many quartets staying on for coaching on the Sunday. This year Sunday also saw the mixed quartet competition in its new, more permanent, home in the British barbershop calendar. Though as I had commitments elsewhere that day I can’t tell you how it went – I’m sure if you head back over to social media though you’ll get some news and some nice pics.

I remarked last year that the LABBS quartet scene was sounding in healthy shape, and you’d have to say the same this year, with the top 11 quartets all achieving scores of 70 and above, and the next 9 or so still in the upper 60s. I was struck as a listener that the standard felt consistently solid: you could spend a lot of the time just relaxing into the performances and not having to listen carefully to help keep things on track. (It’s not just me feels like this when things are a bit wobbly, is it?).

Making Connections with One Acchord

Traditional warn-up picTraditional warn-up pic

I had an adventure up to the Scottish borders at the weekend to work with One Acchord, based in Bowden. Like many LABBS choruses, they are preparing for this year’s Convention with a mix of well-established members with some prior contest experience, and a sizeable post-pandemic intake who will be on the big stage for the first time this autumn.

Our work was therefore based around both developing the musical and vocal skills their songs needed and understanding the processes of mental and emotional preparation to make the most of significant performance occasions.

Moving on...

Short post today with a bit of personal news. I shall be standing down as Musical Director of the Telfordaires at our AGM at the end of July. I won't trouble you with the reasons for the decision, but I would like to reassure both my friends and friends of the chorus that it's not that I love either the chorus or the people in it any less.

The Dilemmas of Depping

I had a message from a friend recently that looked like a blog post waiting to happen. In fact, she was rather hoping that it was a blog post that already existed, but as it happens she’s the first person to ask me this. But it’s one of those situations that you know other people will also have to deal with so worth us having a think about it for future reference as well as the immediate need.

Her question was this:

This new group I've joined, the MD has confided in me that she's not well and is going to be away for some considerable time between the June and December concerts while she has, and then recovers from, an operation. She wants me to mind the shop for the (not yet fully specified) time she's away. Do you have any pointers for how to keep things going musically and striking the balance between contributing something useful while I'm in charge and changing/breaking stuff so she can't come back easily?

Getting into the detail with abcd

Analysis of one of the MD's four roles: the others are leader, musician, and teacherAnalysis of one of the MD's four roles: the others are leader, musician, and teacher

I spent Saturday up in Manchester leading a day course for the Association of British Choral Directors entitled, ‘Choral Conducting: A Beginner’s Guide’. As the title implies, the participants were mostly conductors in the early stages of their journey – all already good musicians, but with varying amounts of experience leading choirs, and little or no prior formal training in technique.

There is of course far more to choral conducting than you can cover in a day (opportunities here to plug the longer abcd Initial Course which does a great job of laying solid foundations for onward growth!), but you can get people up to the point where they can be confident they can get a group of singers safely into the music and out again, which is the heart of the job.

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